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Tag: Novella

Review: Servant Mage by Kate Elliott (Out 1/18/21)

Published by J. Z. Kelley on January 8, 2022
Cover of Servant Mage by Kate Elliott

Genre: Fantasy
Audience: Adult
Series?: Standalone

Rating: Loved it!

For fans of: Cold Magic, The Bone Witch, Shadow and Bone, fantasy maps, magic systems that would be really easy to incorporate into TTRPGs, PWP but instead of porn it’s worldbuilding

I’m a big Kate Elliott fan, so I was thrilled to get the opportunity to review one of her books. I devoured the whole thing in a single day and immediately logged onto Goodreads and gave it five out of five stars. While I was there, I noticed the average star rating was lower than expected, so I did something I promised myself I’d stop doing and took a peek at some of the other reviews.

Screenshot of a 3/5 star review by Goodreads user jessica: i saw praise from s.a. chakraborty and i couldnt request an ARC fast enough. i think the concept is unique and the characters are definitely intriguing, but it all only feels surface level. i dont think the short length and it being a standalone does the story any favours. it feels a tad too underdeveloped, a bit too incomplete, a little too rushed. the thing is, there is so much content in terms of plot and characters that this could easily be expanded, either by making the standalone longer or by making this the first part in a series. so i have no idea why the author chose to make this a novella instead. overall, cool idea but the execution just didnt quite work for me. i wanted more, which is both a positive and a negative. thank you for the ARC, macmillan-tor/forge! ↠ 2.5 stars

Oh … those are good points … Well, I didn’t feel that way. I really enjoyed Servant Mage! Kate Elliott is such a good writer!

Friends, it has only been about week since I finished this book, and I had to go back to my Kindle highlights to remember anything about it. I didn’t retain the main character’s name. I didn’t retain any of the major plot beats. All I had was a mental image of a walled courtyard.

I’m not going to revise my rating because I have deliberately chosen a rating system that catalogues how I feel about a book when I finish it, rather than what I think about a book. What I think now is that Kate Elliott is such a strong writer that she can sell almost any story, even if the plot is wobbly and the ending is hanging on by a single rusted hinge. But I clearly felt like it was a good time, and that’s all the counts in these parts.

To the walled courtyard!

Since the revolution, Fellion’s country has regarded mages as a communal resource. The Liberationist Council government removes young magic users from their families, subjects them to horrific conditions in training camps, and then forces them to labor as “indentured servants” for various people and businesses. The justifying ideology is partially about using their powers for the common good, partially about controlling the symbiotic wraiths that give them their powers, but seems primarily to be a response to the high esteem they enjoyed under the Monarchist government.

Fellion is indentured to a hotel. In addition to using her fire magic to provide warmth and light for the wealthy patrons, Fellion scrubs the outhouses on her hands and knees. Because the latter task is gross, she can usually depend on the courtyard around the outhouses to be empty while she’s supposed to be cleaning them, and Fellion uses those daily moments of privacy to teach other servants to read.

I wanted more of these lessons. Narratively, their purpose is to establish Fellion as someone who is willing to risk her safety and freedom to do what is right, and also to introduce her backstory. Fellion’s mother and “older father” (Three-parent families seem to be the norm in this world.) were executed by the Liberationists for writing and distributing seditious materials.

However, after half a lesson at the beginning of the book, Fellion’s students exit the narrative entirely. I wanted more of a payoff for them. Thematically, I think it would make sense for Fellion’s relationships with other servants to play a role in the resolution, but they’re really just there as setup.

Her first on-page lesson is interrupted by an air “Adept, a mage whose gift was not commonplace as most were but superior and thus laudable and demanding of the highest respect.” He offers to pay her well for a job whose parameters he refuses to define. A job Fellion immediately realizes must be illicit:

“Because you made me an offer. If you were working on the orders of the Liberationist Council you’d have marched in and handed a transfer license to my boss to take control of my indenture. So I’m guessing this is something you’re doing for yourself. Or maybe on hire for someone you can’t refuse …”

However, Fellion’s desperate to escape indenture, and the Adept can not only pay her well but also provide her with a travel permit, so she accepts.

She and the Adept join up with three other mages: earth, water, and aether. Fellion’s a little scandalized. The Liberationist Council has banned “five arrow quivers” (groups of one of each kind of mage), though she doesn’t know why.

Fellion knows there are Monarchist rebels trapped beneath the Iron Hills. At first, the quiver seems to be headed in that direction. She surmises:

“… Maybe you’re out of oil and need Lamps to help guide people out. Folk are calling it the last stand of the Monarchists. But that fight was already lost … My grandmother used to say Monarchist rebels are a twitching corpse that hasn’t realized it’s dead. Even if they were to win, which they can’t, it’s over for them … No royal child of the dragon lineage has been born in the years since.”

The words are barely out of her mouth before the group gets word that a dragon-born child has “fallen into the world.” The group rushes off to try to save the child before the Liberationist Council can find and kill her.

Traveling with the Monarchist rebels, Fellion gradually learns everything she knows about magic and the history of the revolution is a deliberate lie crafted to support Liberationist rule. As a reader, I found myself reluctantly beginning to side with the Monarchists. They feed, bathe, and clothe Fellion more generously than she has been since she was stolen from her family as a child. They seem genuinely grieved by her trauma. They’re gentle with her, and when they realize they’re in immediate danger, they give her the option to set out on her own rather than face it with her.

Only it’s a false choice. Fellion is unlikely to survive extended travel on her own.

Worse, the Monarchists don’t seem to realize it’s a false choice. They think very highly of themselves for treating Fellion better than the Liberationists, but they still maintain a rigid class-based hierarchy. They treat Fellion almost as an equal on the road, but as soon as they get to a Monarchist settlement, she’s forced to eat and sleep apart from the noble members of her group. They expect her to be grateful for it.

This is reassuring, right? It’s 2021. We don’t need books that justify rule by birthright.

Unfortunately, even though it’s ethically the right decision, it made the ending less satisfying than it could have been. Fellion spends most of her journey with people who are somewhat kinder to her than the people she escaped from but still aren’t her friend, which means she isn’t able to develop any significant relationships. Not with her fellow servants, not with the rebels, and not with the family she might hopefully find again someday.

Which is not to say the ending is unsatisfying. Fellion’s arc is lovely. She really comes into her own and chooses a path that’s in harmony with her family’s values and her own lived experiences. In the final pages, I was filled with a sense of hope and excitement for what comes next. I did immediately rate it five stars, after all.

Unfortunately, right now it seems like what comes next is nothing. This feels like a really good prequel to a really great epic fantasy trilogy, but it’s a standalone. I can understand why that information might make someone choose to mark it down, but instead I’m going to choose to hope that enough positive reviews will inspire Tor to give Kate Elliott a three-book contract to continue the series.

Please?

Disclosure

I received a free ARC from NetGalley in exchange for an honest review.

Can you do me a favor?

If you like this review, please like it on Goodreads and maybe follow me there.

More Info

Publisher: Tordotcom
eBook Page Count: 176

Kate Elliott is on Twitter.

All the preorder links for Servant Mage are on Tordotcom’s website.

Preorder Run with the Hunted 4: VIP

Published by J. Z. Kelley on October 23, 2021

It’s October again, which means it’s time for you (yes, you!) to go and preorder the next book in Jennifer R. Donohue’s Run with the Hunted series of cyberpunk heist novellas. If you aren’t familiar with them, you can read my reviews of the previous novellas right here on this very blog.

I got to read VIP when it was still a Word document by virtue of being actual, real life friends with the author. I’m also an actual, real life big fan of these books, so I’m going to try to split the difference between friend and fan by abandoning my usual review format and using the rest of this post to explain why you should preorder this very good book.

Shes Back GIFs - Get the best GIF on GIPHY
Gif of a man in a suit and tie saying, “SHE’S BACK!”

1. You should preorder this very good book because it’s a return to form.

If you read and enjoyed the first Run with the Hunted novella, you’ll enjoy the return to Bristol’s narration. She has a much clearer, more action-focused voice than either Bits or Dolly. That means the book as a whole moves more quickly because we get less monologuing, more plotting.

We also get the return of Will, the well-meaning super secret government agent from book one. It’s fun to see how he’s grown as a person in the intervening months, and how he hasn’t. He only gets a few scenes, but they’re impactful. I’m hoping he gets a bigger role in an upcoming book.

Romantic Comedy Pg13 GIF - Romantic Comedy PG13 Rebel Wilson - Discover & Share GIFs
Gif of Rebel Wilson saying, “MY LIFE HAS BECOME A ROMANTIC COMEDY/AND IT’S PG-13!”

2. You should preorder this very good book because it’s like nothing Jen’s ever written before.

Inspired by a Twitter meme where people share their favorite romance tropes, VIP revolves around a fake engagement that slowly but inevitably builds toward real feelings. I can’t say more without spoilers, but there’s an unusual sweetness to this story. It reminds me somewhat of the resolution of Standard Operating Procedure, except Standard Operating Procedure was 1000% more stressful than VIP is.

VIP is by no means a romantic comedy, but it is the closest to a romantic comedy I think we’re ever going to get out of this series. Let’s cherish it.

Best Scooby Doo Villain GIFs | Gfycat
Gif of Fred from Scooby-Doo taking off the bad guy’s mask

3. You should preorder this very good book because it finally reveals Bristol’s real name.

Actually, it reveals quite a lot about Bristol’s past. We still don’t have any details about her family of origin, but a character from her past gets tangled up in her present and shares an origin story of sorts with Bits and Dolly.

There are just enough tantalizing details to seed a really good fanfiction if, say, you wanted to write a story in which Bristol and Dolly kiss and also other things happen.

deal with it badass gif | WiffleGif
Gif of Michelle Tanner from Full House in sunglasses and a black leather jacket

4. You should preorder this very good book because of the excellent Dolly content.

Listen, word of God from Jen, Bristol’s straight. She and Dolly are never going to kiss outside of my fanfiction, in which other unimportant things also happen, probably.

This is, I think, all the more reason to enjoy Dolly leaning and smoking and smirking at Bristol during Bristol’s wedding festivities. Also, the cute bickering! And the [very romantic moment redacted for spoilers]!!!

Enjoy them loudly, and tag Jen (@AuthorizedMusings) when you do, which is not at all bullying. Authors like it when you enjoy their work!

(Is this a book review? I don’t think this is a book review, but I’m going to put it in that category anyway because it’s close enough.)

Review: Wardenclyffe by Lloyd Hall (Out 10/1/21)

Published by J. Z. Kelley on September 25, 2021
Cover of Wardenclyffe by Lloyd Hall

Genre: Science fiction
Audience: MG/YA
Series?: Wardenclyffe series

Rating: Liked it

For fans of: Star Trek’s Data, adventure games, the “It was earth the whole time!” trope

Achievement unlocked: I received my very first physical review copy of a book earlier this summer.

eARCs (eBooks for review) seem to be the standard for blogs like mine, and I get why. They’re much cheaper for publishers to manufacture and distribute, and reviewers can’t resell them (a controversial practice I’m not going to weigh in on right now). People with larger platforms get to require physical books for review. For the most part, I’m just happy to be invited to the party, but I was very excited to get this offer.

I was even more excited to receive the book! I can’t say for certain, but I’m guessing most physical review copies don’t come packaged so beautifully, with coordinated tissue paper and thank-you notes:

How I received Wardenclyffe: Wrapped in purple tissue paper with a gold sticker and a hand-written thank you note.

The author and publisher of Wardenclyffe, Lloyd Hall, has a fashion and costume design background, and it shows. Even discounting the gorgeous packaging, which I assume retailers like Target won’t include, the book itself is a work of art. The satiny, dark purple hardback and matching dust cover were illustrated by Abigail Spence. You can’t tell from the little digital image, but when you hold it in your hand, the drawing almost looks like a linocut. It’s stunning.

Additional illustrations throughout the book by Minna Ollikainen help bring the world of Wardenclyffe to life.

An early illustration from Wardenclyffe shows carnival booths, trees, and banners at the Illumination Festival in the town of Valentine. The image is in black and white, with geometric shapes and patterns reminiscent of mandala designs.
Featuring my latest nail polish love, Femme Fatale’s “You’re Not Even Alive!”

Despite its beauty, I had a tough time getting into this book at first.

We got off to a bad start. Though it remains popular, I’m always put off by the sci-fi trope where characters in futuristic settings talk about weird old artifacts they found that we, the readers, recognize as commonplace in our time:

Mary is behind the counter distributing large containers to the crowd. I look inside the container and see it filled with hundreds of tiny pieces of white material. I approach Mary …

“What is the material you are distributing?” I ask her.

Mary laughs. “It’s food, Bit!”

ANALYSIS — UNKNOWN

“I am unfamiliar with this food,” I tell her.

“Well you’re not completely unfamiliar. You know the corn we grow up in the fields behind the cafe?” she asks.

“Yes.”

“Well that’s what this is!”

DATABASE SEARCH — MATCH INCOMPATIBLE

“It does not appear to be the same,” I say. She laughs again.

“No it is, I promise! We just found a new way to cook it,” she explains.

“What method of preparation causes the physical appearance to change?” I ask.

“Well, Bruce found us this old book of recipes. If you take the corn kernels and heat them they do this.”

This happens several times in the first few chapters, and I seriously considered DNF’ing the book because of it.

Another problem I had is the book is written in a style that feels overly simplistic for the intended audience (thirteen- to eighteen-year-olds).

This could be a deliberate stylistic choice. The narrator, Bit, is an android. Though she’s physically stronger than ordinary humans, doesn’t age, and has perfect recall, Bit lacks several basic human traits, including emotions and the capacity to recognize beauty. She’s overly literal and lacks a sense of humor.

It makes sense that her sentences would be short and direct with limited sensory details, but I still struggled with them at first. I barely made it through the disaster that cuts off all power to Valentine and the surrounding towns and Bit’s decision to journey north (for years, if she has to) in search of a scientist she believes may have a solution.

Things changed for me almost as soon as she got out of town. While I struggled to invest in any of Wardenclyffe’s characters, I found the world fascinating and mysterious.

Bit travels through a town called Paradise, where most people spend their days turning power switches on and off to make sure they use the exact same amount of power in the exact same way as they have for generations, and an island called St. Helens, where technology is reviled and melted down for scrap. The people of Paradise believe disasters are the result of breaking tradition. The people of St. Helens believe they’re caused by technology.

I started to think of Wardenclyffe less as a novella and more as an adaptation of an adventure game or a Twilight Zone episode. It gave me serious Myst vibes. That way, the odd, clunky dialogue seems less like a flaw and more like an essential element of the genre.

As Bit travels, we learn more about the history of her world. A catastrophic event referred to as “the flooding” resulted in the loss of most of the human population as well as most human knowledge, so that surviving people can use old technology but they cannot repair it or create new technology. I like that the book doesn’t try to explain what caused the flood or fill in every detail of the world before and after. That kind of granular worldbuilding has to be immaculate, and leaving it vague makes it easier to suspend disbelief.

It wasn’t until Bit reached St. Helens that I realized her world is actually our world. St. Helens is an island in a thermal lake either near or in the crater of Mount St. Helens in Washington state. June, the location of the titular Wardenclyffe lighthouse, is Juneau, Alaska. Paradise is a town in California, and I think Valentine might refer to Valentine Camp, also in California. This is maybe hypocritical, given what I said earlier, but I was delighted by these breadcrumbs and felt very smart for getting them.

Wardenclyffe, if you’re wondering, is not actually a lighthouse in Alaska. It was an “early experimental wireless transmission station” built by in New York Nikola Tesla, later torn down to settle some of his debts. I didn’t know that part in advance. Google told me.

The mysteries of the scientist and what happened to Valentine’s power are tied to the mystery of Bit’s creation and why she has outlasted all the other androids. She finds all the answers she’s looking for near Wardenclyffe, which should make for a satisfying ending. I’m still torn on whether or not it does, though. I think it’s thematically appropriate, but perhaps because I never connected with the characters, I didn’t find it particularly emotionally resonant.

Still, I really enjoyed exploring the world of Wardenclyffe, and I’m intrigued by the possibility of future books. I’d definitely pick up book two if it had a different narrator with a more descriptive voice.

Can you do me a favor?

If you like this review, please like it on Goodreads and maybe follow me there.

More Info

Publisher: Self published
Hardback Page Count: 238

Lloyd Hall is on Twitter, Instagram, and Goodreads.

You can preorder the book (out October 1) directly from the author’s website.

Spoiler-Free Review: And What Can We Offer You Tonight by Premee Mohamed (Out 7/20/21)

Published by J. Z. Kelley on July 10, 2021
Cover of And What Can We Offer You Tonight by Premee Mohamed

Genre: Science fiction
Audience: Adult
Series?: Standalone

Rating: Liked it

For fans of: The Handmaid’s Tale, Maria Haskins’ “Six Dreams About the Train,” Sarah Pinsker’s “The Court Magician,” Alyssa Wong’s “A Fist of Permutations in Lightning and Wildflowers,” eco sci-fi, poetic literary speculative fiction

In a science-fiction world where only the very wealthy have funerals and everyone else is dumped into the ubiquitous filthy canals when they die, a high end courtesan comes back to life to take vengeance on her wealthy client/murderer. Jewel, the protagonist of And What Can We Offer You Tonight, is the dead girl’s friend. Having not been reanimated with a terrible purpose, Jewel’s concerns are more quotidian: meeting clients, looking after her fellow courtesans, and trying to keep from losing her job as a known associate of the vigilante dead girl haunting the city’s rich.

This is a tough novella to summarize and an even tougher one to review. It’s beautifully written. Despite being 75% run-on sentences, it never feels dense, just poetic. Jewel’s helpless, often directionless ruminating turns her world into an anxious kaleidoscope. The imagery of the courtesans’ elegant House contrasts with the crumbling city outside in a way that makes both of them seem equally alien and lovely, and Mohamed has a way of describing familiar objects like perfume that seems stranger than her futuristic technology. I wanted to highlight entire chapters.

It’s also, objectively, something that should really connect with me. I love class conflict stories and I love female characters that other reviewers call too passive or too violent or too morally impure and I love a run-on sentence. But it didn’t hook me behind the belly button the way I wanted it to, and I can’t really say why.

If I had to guess, I’d say it was probably that Jewel is very Hamlet. She wants everything and nothing. She can’t make up her mind. She acts only when her hand is forced by other, stronger willed characters. Her definite trait is her compulsion to smother her unpretty emotions in order to keep her job and her life (which is saying the same thing twice).

I don’t think this is a flaw in the writing. I mean, Hamlet. If anything, Jewel is too relatable. Her dystopian future world is too real. Like, I am living through real climate disasters and class warfare, I do not have any spare energy for lightly fictionalized versions of them.

On the other hand, reading lightly fictionalized versions of the traumas you’re surviving can be healing. I think that will be the case for a lot of people who read And What Can We Offer You Tonight. After the murders in Atlanta and this summer’s heat wave, a lot of readers are going to find catharsis in the story of a murdered sex worker who traverses a flooded city to kill her killer.

I think this novella will also appeal to a lot of readers who don’t typically like SFF. If Margaret Atwood can say The Handmaid’s Tale isn’t science fiction, then I think I’m justified in saying neither is And What Can We Offer You Tonight. Buy this book for your snobby aunt and tell her it’s Literature that happens to have some lightly futuristic technology and exactly one un-dead girl. 

Disclosure

I received a free ARC from NetGalley in exchange for an honest review.

More Info

Publisher: Neon Hemlock Press
Hardback Page Count: 80

Premee Mohamed is delightful on Twitter and on her blog, so check those out.

Preorder the book on Amazon (out July 20).

Book Review: Passing Strange by Ellen Klages

Published by J. Z. Kelley on April 25, 2021

Content Notes: This review contains significant spoilers for the entirety of Passing Strange, including the ending. I don’t think knowing what happens ruins the book, but more importantly, I don’t think it’s possible to discuss my messy, complicated feelings about it without these spoilers.

Speaking of messy and complicated, I’m going to discuss Klages’s depictions of homophobia, anti-Asian racism, sexism, domestic violence, sexual violence, police brutality, and suicide. If you’d rather not read about these subjects, I’d recommend skipping both the review and the book.

The cover of Passing Strange depicts two women (one in a tuxedo, one in a backless jumpsuit that looks like a dress) in front of a large, moonlit window. The night skyline of San Francisco is sketchily visible in the background.

Passing Strange is a difficult-to-categorize novella . Google calls it an LGBT fantasy about five women’s interconnected lives in historical San Francisco, which I think is wrong on all counts except the setting, but definitely more marketably pithy than my description. I’m going to call it a lesbian time traveler’s guide to San Francisco in 1940. You, lesbian time traveler, will learn all the best places to eat, drink, and sightsee, along with some helpful tips for dealing with law enforcement.

You’ll also get a cute love story and some lengthy explanations of why two separate magic systems cannot be explained. Which won’t matter to you, as you presumably have your own magic system, unless you’re a science fiction sort of time traveler. If you’re a science fiction sort of time traveler, perhaps you’ll enjoy the late-nineteenth-century-sci-fi-story-style dinner parties in which scientists describe their research at unnecessary length.

I enjoyed the dinner parties, the cute love story, the sightseeing, and many other elements I’ll touch on later. That’s part of what made Passing Strange such a frustrating read.

The frame narrative takes place in 2014. In the beginning, the elderly Japanese-American lawyer Helen Young has just received confirmation that her unspecified illness is terminal, and we follow as she finalizes her estate, revisits her favorite places in the city, and takes her own life at home. Her primary errand is to retrieve a pastel painting from an underground Chinatown labyrinth and sell it to a rare bookstore owner for everything he has.

Strangely, this section of the book is the most fun. Helen clearly has a plan for her last days. She carries it out with self-satisfied precision and without explanation, similar to a criminal mastermind pulling off a heist. It’s not clear how the smug bookstore owner is going to regret his purchase, but it’s clear that Helen’s come out ahead in this transaction.

After Helen’s death, the book jumps back to 1940. Helen attends one of the aforementioned dinner parties with the artist of the pastel painting, a white woman named Haskel who primarily paints pulp magazine covers. Helen sometimes poses as an “inscrutable Asian villain” for Haskel’s covers. Neither woman seems particularly uncomfortable with this arrangement:

Helen let her arm drop to her side, the prop knife dangling. “I like playing dress-up, but Dr. Wu Yang needs some summer-weight clothes.”

[…]

“Next time you can be the terrified victim.” Haskel lit a cigarette and leaned against a worktable covered with pastel chalks, jars of paintbrushes and pencils. “But Oriental fiends are harder to find.”

“That’s a relief.”

Also at the dinner party is Emily, a young white woman who makes eyes at Haskel. Haskel brushes her off, but later they run into each other at Mona’s Club 440, where Emily sings in drag. They fall in love almost instantly and spend the rest of the book making love and exploring the city. Helen more-or-less ceases to exist until Haskel and Emily need her help after the climax.

Castiel from Supernatural says, “I’ll just … wait here then.”

This is my primary problem with Passing Strange: Klages clearly wants to tie the 1940s queer experience to the 1940s Asian-American experience, which makes sense both historically and thematically, but her only Asian-American character exists to facilitate the romance between the white leads.

Frieda Kahlo appears briefly to fulfill a role that is similar to Helen’s, but worse. Worse both because she was an actual, real person, and because at least Helen gets to win sometimes. Frieda just gets to be crazy and tragic and sexy in an exotic, crazy, tragic way. (Haskel slept with her, but only once. Her mustache tickled.)

Like Helen, Emily and Haskel both have to flatten and commodify their identities as marginalized people in order to survive. Emily has a beautiful voice, but as a lesbian, she can’t perform in any respectable club. Instead, she sings in a tux and a mustache as Mona’s, where:

Visitors who’d come to San Francisco for the world’s fair ventured nervously […] to gape at curiosities that would astound the guys at the office, the ladies in the bridge club back in Dubque or Chattanooga.

Haskel, a domestic violence survivor, fills her covers with scantily-clad women in terror, about to be devoured by monsters.

Unlike Helen, however Emily and Haskel actually get the room to have complicated emotions about their experiences. Emily bemoans the pressure to define herself as either and only a butch or a femme. After a confrontation with her husband, who’s been out of the country for “three or four years,” Haskel decides to stop painting images of violence. And in the end, Emily and Haskel get to opt out, escaping to a fantasy world of their own making.

Helen–who is, again, a Japanese-American woman living in San Francisco in 1940–has to stay behind and see to their affairs.

That makes it hard to recommend this book, even though there are parts I love. Klages’s prose is beautiful, detailed, and precise in a way that reminds me of DMing tabletop games. You could draw a map from her descriptions.

Haskel and Emily’s love story is genuinely sweet and swoony. Like, look at this:

“Not quite. A little more–” Haskel set the sketch pad down and knelt by the bed. “–like this.” With one hand, she turned Emily’s head slightly to the side, her fingers entwined, for a moment, in auburn curls. Emily felt her arms go all goosebumps. Their faces were inches apart. She could feel the warmth of Haskel’s breath on her cheek, smell coffee and a drift of smoke.

A moment passed. Neither of them moved. Then she heard Haskel sigh and felt a tickle of hair against her neck, lips brushing her own, lightly at first, and then, when she offered no resistance–none at all–with unmistakable desire.

“Golly,” Emily said, when there was air again.

I died. I died when I read it, and I died again when I sent it to all my friends, and I died a third time typing that up for you. In lieu of flowers, please send nail polish. I need a good green, but I’m not picky.

When Haskel and Emily get into trouble and it seems like there’s no escape, their found family of other lesbians step in to care for them in a way that feels both heartwarming and familiar. “People like us, we help each other,” Helen says. (This theme is part of why I find it so frustrating that they left Helen behind! In 1940!)

Jack from Titanic, handcuffed to the sinking ship, says, “I’ll just wait here.”

There’s so much sweetness and light, it’s not hard to see why people frequently recommend it as a cute, fluffy sapphic romance. Kind of like Passing Strange itself, I see where they’re coming from, and I’m also really frustrated by it.

Corey Alexander wrote a blog post back in 2018 called “On being careful what we call fluff,” which sums up my feelings about these recommendations well.

This is not a fluffy book. I’ve already touched on the racism, homophobia, sexism, and domestic violence, but I want to be clear that these are not just incidental as a result of the setting. They are pervasive and they hit hard. There’s a scene of homophobic violence and sexual assault against a side character that makes me so sick to remember that I can’t honestly say whether or not it furthered the plot or themes or whatever.

This is a heavy book with a cute romance and a more-or-less happy ending, closer to Keeping You a Secret than The Princess Affair.*

I think that if you’re the kind of person who generally enjoys 1990s lesbian fiction, or if you have an interest in queer history and a high tolerance for suffering, you’ll enjoy this book. If you’re more than a year into a global pandemic and feeling helpless about police brutality and anti-Asian racism, maybe check out The Princess Affair instead.

More Info

Publisher: Tor.com
Paperback Page Count: 215

Ellen Klages is an American science, science fiction and historical fiction writer who lives in San Francisco. Her novelette “Basement Magic” won the 2005 Nebula Award for Best Novelette. You can follow her on Twitter and buy the book on Bookshop or Amazon.

Resources

If you or someone you know is struggling, please reach out to one of these organizations:

*I haven’t actually read The Princess Affair, but my friend assures me it’s for-real fluffy.

Spoiler-Free Book Review: Run With the Hunted 3: Standard Operating Procedure by Jennifer R. Donohue

Published by J. Z. Kelley on January 24, 2021
Cover image for Run With the Hunted 3: Standard Operating Procedure by Jennifer R. Donohue

Dolly’s book is not at all what I expected. It’s … nice? Which feels weird for the traumatized ex-supersoldier-turned-criminal-weapons-and-vehicles-expert who spent most of the precious books salivating over the prospect of facing off against multiple black ops organizations, but I’m here for it.

For the uninitiated: Run With the Hunted is a cyperpunk novella series about a group of friends (“associates,” Bristol would say) who travel the world, bicker, take care of each other, and sometimes steal literally priceless objects. Each novella is narrated by one of the friends: book one is Bristol’s, book two is Bits’s, and book three is (finally!!!!!) Dolly’s. Also, Dolly is the best.

In Run With the Hunted 3: Standard Operating Procedure, Bristol is still coping with the events of book two, and the rest of her team decides to help her out with that by going along with her very good, very smart, very well considered plan to steal the world’s most expensive dog. Even though none of them know how to take care of a dog. Even though they don’t really know why this particular dog is so valuable or who’s going to be paying them to get her.

This is not important to the plot, but I feel like potential readers should be aware: There are actually two dogs in this book. One is a robot. Both are very good dogs. Neither dies. Like I said, this is a nice book.

In a lot of ways, Standard Operating Procedure feels a prequel. The stakes are lower, and as the most contemplative member of the team, Dolly’s narration is full of flashbacks and character details. We learn what Dolly thinks her life would have looked like if not for the super-solider program, and we learn more about what her life actually has looked like until this point.

The memories of her childhood in the rural south deliver a pitch-perfect blend of nostalgia and despair and yearning. Then someone from her childhood shows up in her present, and that’s perfect too, tense and hopeful and sometimes hilarious.

Other highlights include the incredible action sequence on a bridge that I will be writing fanfiction about until I die and the way Donohue always writes dogs as though she is the world’s foremost dog expert. (She is.)

I’d recommend this book to anyone who enjoyed the previous two, as well as to people who are on the fence. If you wanted book one to deliver more found family feelings and you wanted book two to explain things more clearly, you will love book three. Hell, I love this book and its big, tough, secretly soft narrator so much that I’d recommend reading the first two books just to get this one, and I loved the first two books. The only bad thing I can say about this one is that I’m going to have to wait through two more books to return to Dolly’s narration.

More Info

Publisher: Self-published
Paperback Page Count: 156

Follow Jen Donohue on Twitter or her blog for writing updates and pictures of her Doberman. Then you can get the book and support your local independent bookstore on Bookshop.org, or you can buy it on Amazon.

Spoiler-Free Book Review: Run With the Hunted 2: Ctrl Alt Delete by Jennifer R. Donohue

Published by J. Z. Kelley on January 24, 2021
Cover image for Run With the Hunted 2: Ctrl Alt Delete by Jennifer R. Donohue

If Run with the Hunted was a lighthearted heist story in the vein of Ocean’s 8, Ctrl Alt Delete is a buddy road trip story similar to Thelma and Louise, minus the sexual assault. The second book in the series manages to raise the stakes not by adding a third or fourth shady government agency, but by making the danger more personal and the path forward even less clear. I was genuinely so worried about Bits (the narrator of this story) and a new side character that I had to put the book down and take a break a couple of times.

An uncertain number of months after the diamond heist, Dolly pulls Bits out of VR immersion—and out of hiding—for a much more personal job. They need to steal Bristol back from the black site where she’s being held before the government realizes exactly who she is. It’s too complicated and dangerous a job for Dolly to do alone, but Bits is suffering from unexplained migraines, lost time, nose bleeds, memory loss, and a strange inability to even hear what happened between the diamond heist and Bristol’s arrest.

Like the first book in the series, Ctrl Alt Delete is fast paced and short enough to read in an afternoon—assuming you don’t have to take breaks because of how worried you are about the characters. I liked getting to know Bits and Dolly (my love! who gets significantly more screen time in this book than the last) more intimately, and I loved the way that new knowledge fills in little gaps and recontextualizes information from the first book. Really, though, the strength of this series is in the relationships between its main cast, and watching Dolly take care of Bits while she recovered made me fall so hard for these women all over again. My only complaint is I wanted it to be at least 20% longer.

Fans of book one will not be disappointed, but I’d recommend book two particularly to fans of found family stories, VR hacking stories, conspiracy theories, and badass women who can easily carry you up and twelve tons of firearms up six flights of stairs while chain smoking and not break a sweat. Now, where is my Dolly book????

Click here to read my review of Run With the Hunted 3: Standard Operating Procedure.

More Info

Publisher: Self-published
Paperback Page Count: 156

Follow Jen Donohue on Twitter or her blog for writing updates and pictures of her Doberman. Then you can get the book and support your local independent bookstore on Bookshop.org, or you can buy it on Amazon.

Spoiler-Free Book Review: Run With the Hunted by Jennifer R. Donohue

Published by J. Z. Kelley on January 24, 2021
Cover image for Run With the Hunted by Jennifer R. Donohue
Glitchy diamonds!

Run with the Hunted delivers the experience of watching a fast paced, twisty heist movie in a quick novella with characters you don’t want to say goodbye to at the end.

Narrated by Bristol, who studies pirated finishing school classes and hides weapons in her hair pins, it’s the story of a trio of women who accidentally take something more valuable (and more deadly) than just the diamonds they set out to steal. Their fence backs out, and they have to find a new buyer while evading shadowy organizations that want them dead.

I fell in love with the trio (especially weapons-and-guns expert Dolly, who is basically a bisexual Labrador in a bulletproof vest) and their world. As cold and polished as her stolen diamonds, Bristol has never truly gotten to know her associates before she’s forced to hide out with them. Watching a world-class manipulator awkwardly fumble her way towards genuine friendship is heart warming and adorable, even if she’d kill me for saying so.

The cyberpunk setting delivers ‘80s aesthetics—video games, VR goggles, Cold War paranoia—and leaves ‘80s social values in the past, where they belong. Bristol is a traumatized ice queen, but she isn’t waiting for a man to thaw her. Her best friend is a nonbinary gallery owner. There are no happy little suburban nuclear families, and no one gets punished for who they are.

This book is so quick and so much fun that I’d honestly recommend it for everybody, but especially fans of A Fish Called Wanda, Ocean’s 8, vending machines, good cop/femme fatale romances, playing spy at sleepover parties, and reading reviews of Michelin-starred restaurants online because you can’t afford to eat there.

Click here to read my review of Run With the Hunted 2: Ctrl Alt Delete.

More Info

Publisher: Self-published
Paperback Page Count: 136

Follow Jen Donohue on Twitter or her blog for writing updates and pictures of her Doberman. Then you can get the book and support your local independent bookstore on Bookshop.org, or you can buy it on Amazon.