Tag: 2020 Releases

Spoiler-Free Review: The First Sister

Published by J. Z. Kelley on August 14, 2021

Cover of The First Sister by Linden A. Lewis

Genre: Science fiction
Audience: Adult
Series?: The First Sister trilogy

Rating: Loved it!

For fans of: R. F. Kuang, Margaret Atwood, This is How You Lose the Time War, Red Rising, A Memory Called Empire, Ancillary Justice, Dune, Sansa Stark’s character arc, queer platonic intimacy, Suffering but no one gets raped

The First Sister has been pitched as part of the wave of feminist dystopias we’ve seen since 2016/the Handmaid’s Tale Hulu adaptation, but I think it’s more accurately described as Dune with the queer themes made explicit and the Bene Gesserit made into fully realized characters.

(I’m sticking to my resolution not to read GoodReads reviews for books I like, so it’s possible this has already been said a thousand times. Let’s agree to pretend I’m a wholly original genius for this insight. I’m having a hard week.)

We have galaxy-spanning wars and political intrigue. We have assassinations and assassination attempts. We have a matriarchal religious order that ties itself to military/political power through the beauty and “servility” of its acolytes. We have a duelist named Lito, who fights with a blade even though he’s part of a spacefaring society with all the high-level technology that entails. We have … okay, I don’t know how Hiro, the rebellious scion of space!Bezos fits into this analogy, but Dune would be a much better book if it had a Hiro character.

Told in alternating perspectives, The First Sister is the story of Hiro, Lito, and First Sister (a mute, nameless acolyte of the aforementioned religious order) journeying from very different beginnings to a single moment of conflict that will change the solar system and all four societies that call it home. Although this book is a sci-fi epic in scope, this drive to a single inevitable crisis gives it a momentum that makes it hard to put down.

Except that I was very invested in these characters and their brave, reckless decisions, so I did keep having to pause for breath when I got too worried for them.

Lito is a poor boy whose rose to become the perfect elite soldier through hard work, self-abnegation, and his partnership with Hiro. Hiro once played the chaotic neutral rogue to Lito’s lawful good fighter, but we’re introduced to them through a series of recordings they sent Lito to confess and explain their treason.

First Sister serves the soldiers serving aboard an elite military spaceship so they can go into battle with clear hearts. As the highest ranking sister aboard her vessel, she is only required to hear confessions from everyone but the captain, but she lives in fear of having her rank stripped from her and, with it, her protection from the other soldiers’ sexual advances.

Their stories unfurl in layers. At first, it seems like the primary conflict is going to be between the Icarii (Hiro and Lito), who embrace technology and view religion primarily as a series of cultural artifacts from earth, and the Geans (First Sister), who revere the natural world and enforce universal worship of the Goddess. Lito is sent to assassinate the head of First Sister’s order (and kill Hiro while he’s at it), while First Sister is ordered to spy on a potential traitor aboard her vessel. Classic science versus religion stuff.

Then things get complicated. Through Hiro’s tapes and the potential traitor’s whispered secrets, Lito and First Sister come to realize the organizations that raised and shaped them have been responsible for untold atrocities. They begin to believe peace would be preferable to victory, but they remain conflicted over abandoning everything they know for a future they can’t even really imagine.

Aside from the rich and nuanced protagonists, what I loved most about The First Sister is the way Lewis manages to portray the brutality of both societies without veering into gratuitous depictions of violence, sexual or otherwise. First Sister has experienced sexual violence, and it looms on the periphery of her every interaction with the soldiers on her ship, but we don’t have to witness it. Lito has conversations with sick and dying children, but we don’t have to read about their final, excruciating moments. We get exactly as much information we need to understand the direness of the situation without the kind of abject despair that lingers even after you finish *cough* other books *cough*.

This is ultimately a hopeful book. It’s about realizing the world can be better and deciding that’s worth the risk. It’s about people who have hurt and been hurt by each other making amends and offering forgiveness – and sometimes not. It’s exactly the kind of book I needed at this point in my life.

If you’re having kind of a rough time (and who isn’t) and you like science fiction full of big adventures and big feelings, you need to pick up The First Sister right now.

Then, please come back and tell me if you saw the final twist coming. Lewis telegraphed it so clearly, I have no idea how I missed it, but I was shocked enough that I dropped my Kindle and said, “Oh,” out loud.

You know that feeling of relief when there’s a word or fact you know that you know but you can’t quite remember it, but then you look it up and you’re like, “Oh, yes, that!!!”? That’s how the final twist felt. Incredible. Please, please do not spoil it for yourself. You deserve that pleasure.

One last thing …

Preorder The Second Rebel, Coming August 24th

Linden A. Lewis returns with this next installment of The First Sister Trilogy, perfect for fans of Red Rising, The Handmaid’s Tale, and The Expanse.
Astrid has reclaimed her name and her voice, and now seeks to bring down the Sisterhood from within. Throwing herself into the lioness’ den, Astrid must confront and challenge the Aunts who run the Gean religious institution, but she quickly discovers that the business of politics is far deadlier than she ever expected.
Meanwhile, on an outlaw colony station deep in space, Hiro val Akira seeks to bring a dangerous ally into the rebellion. Whispers of a digital woman fuel Hiro’s search, but they are not the only person looking for this link to the mysterious race of Synthetics.
Lito sol Lucious continues to grow into his role as a lead revolutionary and is tasked with rescuing an Aster operative from deep within an Icarii prison. With danger around every corner, Lito, his partner Ofiera, and the newly freed operative must flee in order to keep dangerous secrets out of enemy hands.
Back on Venus, Lito’s sister Lucinia must carry on after her brother’s disappearance and accusation of treason by Icarii authorities. Despite being under the thumb of Souji val Akira, Lucinia manages to keep her nose clean…that is until an Aster revolutionary shows up with news about her brother’s fate, and an opportunity to join the fight.
This captivating, spellbinding second installment to The First Sister series picks up right where The First Sister left off and is a must-read for science fiction fans everywhere.

Hopefully I’ll get a chance to review it before book three comes out.

Disclosure

I received a free eBook from NetGalley in exchange for an honest review.

More Info

Publisher: Skybound Books
Hardback Page Count: 352

Linden A. Lewis (she/they) is on Twitter and Instagram.

You can support your local independent bookstore by buying BOOK on Bookshop.org, or grab it on Amazon.

Spoiler-Free Review: The Wolf of Oren-Yaro by K. S. Villoso

Published by J. Z. Kelley on June 5, 2021

Genre: Fantasy
Audience: Adult
Series?: Chronicles of the Bitch Queen

Rating: Liked it

For fans of: The Farseer Trilogy, The Unbroken, Ursula Le Guin, family dramas, political fantasy, strong female characters, slow burn romance, Suffering

Asian Readathon is over, and I am only reading cute, fluffy books with lots of kissing and minimal dead cats from now on. I deserve it after The Wolf of Oren-Yaro.

K. S. Villoso’s Filipino-inspired family drama-cum-epic fantasy is narrated by Queen Talyien, possibly the only Strong Female Character to say, “I can take care of myself, thanks,” and then do so. Talyien is the first female ruler of Oren-yaro. She was betrothed at first to the last end of a rival faction in order to end her country’s brutal civil war. Then her ~~worthless garbage truck of a~~ husband fled on their coronation day, abandoning her with their two-year-old son to rule alone.

Talyien believes (and Goodreads reviewers seem to agree) that her primary flaw is continuing to love her husband through the five years of his absence. There’s some textual evidence for this: When her husband asks Talyien to meet him in a hostile and much more powerful neighboring country, she does, and almost everyone she trusts either dies or betrays her as a result.

I disagree. I think Talyien is so strong people fail to notice what’s actually going on with her: She’s traumatized. She’s trying to live up to not only the expectations of an entire fractious nation but also the idealized image of her dead father. Yes, it would be better for her to put her hope and faith in someone (anyone) who deserves it more than her absent husband, but this is what traumatized people often do. We love people who don’t deserve it.

This isn’t a story about a dysfunctional marriage so much as it is about a dysfunctional family, all three generations of it.

It’s also a character study. Yes, there’s (so much) violence and politics and forbidden magic, but all of those things serve to propel Talyien’s journey from queen who’s always been surrounded by servants to beggar wandering the slums in a hostile country to the person she becomes at the end of the series.

I say “series” rather than book because The Wolf of Oren-Yaro feels very much like the beginning of a trilogy rather than a standalone novel. Which makes sense: It was originally self published. K. S. Villoso knew she didn’t need a publisher’s permission to continue.

However, it makes this a difficult book to review. The character arcs are incomplete. The good guys are still in danger, and even the bad guys who have died feel like they might make a comeback. Talyien has seen some of the world outside her (comparatively) sheltered life as a queen and gained some surprising insights about the people she thought she knew best, but it remains to be seen what she’ll do with those insights. There’s no resolution, merely a pause.

I wanted to hold off on writing this review at all until I finished the series, but I decided to push ahead for two reasons. One: It’s hard to post a full-series review on Goodreads and Amazon, where authors need reviews the most. Two: I don’t know when I’ll feel up to returning to Talyien’s world.

The Wolf of Oren-Yaro is beautifully written, but it isn’t a pretty book. There’s very little hope or light. Even the settings are ugly: dank prison cells, barred windows, and slums filled with starving children and dead cats. Talyien is rarely free from threats of rape and murder. Even in her dreams, she’s reliving childhood traumas. She does get to spend a few sweet pages with a normal, loving family, but then she’s immediately back to fighting for her life.

Here’s what I can say at this point: K. S. Villoso is a strong, genre-savvy writer. Despite the sprawling world and the shifting politics, I never felt lost. There is no glossary or cast list at the end of the book because it’s unnecessary. I never needed to flip back to remind myself who a character was or what they wanted.

And they felt real. One of the reasons I’m so reluctant to read The Issekar Falcon right now is how much I cared for Talyien. She’s a flawed, fully developed, and deeply wounded character. I want someone to come along, prove they’re worthy of her trust, and give her a hot meal and a nice long bath. I want her to learn to set boundaries and get comfortable with disappointing her father’s memory. I want her to be okay–and because she’s a flawed, fully developed, and deeply wounded character, I know that won’t happen for at least another book and three quarters.

Asian Readathon

This is my final book for the 2021 Asian Readathon. I’m counting it for challenge 3 (favorite genre)

K. S. Villoso is Filipino Canadian.

Content Warnings

This book is heavy. I never want to try to provide a complete list of all triggers, for fear of missing one, but I didn’t see anyone else talking about the extent of sexual violence in this book. It’s a lot.

The Wolf of Oren-Yaro contains frequent and often detailed threats of rape, human trafficking, verbal descriptions of past rape, and rape on the page.

More Info

Publisher: Orbit
Paperback Page Count: 496

K. S. Villoso is on Twitter and Instagram.

You can support your local independent bookstore by buying The Wolf of Oren-Yaro on Bookshop.org, or grab it on Amazon.

Spoiler-Free Book Review: Run With the Hunted 3: Standard Operating Procedure by Jennifer R. Donohue

Published by J. Z. Kelley on January 24, 2021

Cover image for Run With the Hunted 3: Standard Operating Procedure by Jennifer R. Donohue

Dolly’s book is not at all what I expected. It’s … nice? Which feels weird for the traumatized ex-supersoldier-turned-criminal-weapons-and-vehicles-expert who spent most of the precious books salivating over the prospect of facing off against multiple black ops organizations, but I’m here for it.

For the uninitiated: Run With the Hunted is a cyperpunk novella series about a group of friends (“associates,” Bristol would say) who travel the world, bicker, take care of each other, and sometimes steal literally priceless objects. Each novella is narrated by one of the friends: book one is Bristol’s, book two is Bits’s, and book three is (finally!!!!!) Dolly’s. Also, Dolly is the best.

In Run With the Hunted 3: Standard Operating Procedure, Bristol is still coping with the events of book two, and the rest of her team decides to help her out with that by going along with her very good, very smart, very well considered plan to steal the world’s most expensive dog. Even though none of them know how to take care of a dog. Even though they don’t really know why this particular dog is so valuable or who’s going to be paying them to get her.

This is not important to the plot, but I feel like potential readers should be aware: There are actually two dogs in this book. One is a robot. Both are very good dogs. Neither dies. Like I said, this is a nice book.

In a lot of ways, Standard Operating Procedure feels a prequel. The stakes are lower, and as the most contemplative member of the team, Dolly’s narration is full of flashbacks and character details. We learn what Dolly thinks her life would have looked like if not for the super-solider program, and we learn more about what her life actually has looked like until this point.

The memories of her childhood in the rural south deliver a pitch-perfect blend of nostalgia and despair and yearning. Then someone from her childhood shows up in her present, and that’s perfect too, tense and hopeful and sometimes hilarious.

Other highlights include the incredible action sequence on a bridge that I will be writing fanfiction about until I die and the way Donohue always writes dogs as though she is the world’s foremost dog expert. (She is.)

I’d recommend this book to anyone who enjoyed the previous two, as well as to people who are on the fence. If you wanted book one to deliver more found family feelings and you wanted book two to explain things more clearly, you will love book three. Hell, I love this book and its big, tough, secretly soft narrator so much that I’d recommend reading the first two books just to get this one, and I loved the first two books. The only bad thing I can say about this one is that I’m going to have to wait through two more books to return to Dolly’s narration.

More Info

Publisher: Self-published
Paperback Page Count: 156

Follow Jen Donohue on Twitter or her blog for writing updates and pictures of her Doberman. Then you can get the book and support your local independent bookstore on Bookshop.org, or you can buy it on Amazon.

Spoiler-Free Book Review: Beneath the Rising by Premee Mohamed

Published by J. Z. Kelley on October 21, 2020

Cover art for Beneath the Rising by Premee Mohamed — Apparently, there is a spoiler hidden in this cover.

Beneath the Rising is a beautiful, exciting, hilarious, devastating, breathtaking, intimate adventure novel about power and privilege, and about friendships that smother and sustain us. There are a lot of books “about power and privilege” coming out right now, but Rising isn’t about rich white people behaving badly—not really. It’s about surviving and maybe even fighting back against them.

There are really three main characters here—Johnny, the genius: rich, white, and exceptional in every way; Nick, the narrator: poor, brown, “ordinary,” and nearly invisible in her shadow; and their friendship. They have been each other’s best and only friends for so long that the relationship between them has not only gravity but also personality and will of its own.

At seventeen, Johnny has already cured AIDS and dementia, made strides towards ending hunger and houselessness, and solved the plastics crisis. She’s already changed the world, but her newest invention, a clean energy device with limitless capacity, is going to
make it unrecognizable. Assuming the eldritch Ancient Ones the device awakened don’t destroy it first. Johnny embarks on a globe trotting quest to find a way to stop them, and their friendship drags Nick along with her, even though they both know he’s powerless to help her.

I said it already, but Beneath the Rising is just gorgeous. It’s a vivid sensory experience full of heart and humor and odors so meticulously detailed they could almost be indie perfume descriptions. It starts slow and builds momentum in a way that cleverly mirrors Nick and Johnny’s friendship, so that by the halfway point, even when I knew I should put it down and try to get some weekend chores done, I just couldn’t.

One thing I loved about this take on Lovecraft’s mythos is that it isn’t a Wicked-style “What if the monsters were good?” retelling. The monsters are still incomprehensibly evil, but like a chiropractor, Premee Mohamed has aligned them the way they always should have been, not with the marginalized but with the powerful. AND she manages to sidestep the way that powerful magical villains often come off as cool and aspirational. The Ancient Ones are too inhuman and too rarely seen to try to emulate, and their human allies are invariably greedy, selfish, shortsighted, and kind of pathetic.

But mostly I loved Nick—hardworking, responsible, loyal Nick, who is (with one exception) never recognized for the great kid he is but goes on trying his best anyway, even though he doesn’t believe it will make any difference. He broke my heart. I love him so much. I want to double knot his shoes and make sure he remembers his lunch. I hope good things happen for him in the sequel, because he deserves so many good things.

More Info

Publisher: Solaris
Paperback Page Count: 416 pages
Audiobook Listening Length: 11 hours 24 minutes

Premee Mohamed is delightful on Twitter and on her blog, so check those out. Then you can get the book and support your local independent bookstore on Bookshop.org, or you can buy it on Amazon.